IT'S THE MONEY SHOT!!

working towards an intellectual understanding of booty chatter.

domingo, diciembre 07, 2008

erykah badu: unofficial "soldier" remix contest.

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I've seen New Amerykah, Pt. 1 (4th World War) on quite a few "best of" lists for 2008, and while I'll say that it definitely deserves a spot on every one of those lists, I'm not about to fuck with making any "best of" lists. It is what it is!

But you know what isn't what it is, or at least what it should be? The acappella for "Soldier". I find it hard to believe that I have this acappella on my computer, yet I haven't seen a single remix of the song with more than the original track and some random rapper adding rhymes. This needs to change.

Now that the Little Pictures remix contest deadline has passed, I'll be holding an unofficial Erykah Badu remix contest because "Soldier" is too good to not receive the proper remix treatment. The prize ain't much more than glory and your own customized ITMS!! badoodle, but maybe there's a chance that Erykah will hear your remix. Badu spends half of her time in Brooklyn, so if I open my windows and play your remix loud enough... maybe she'll just happen to be passing by? Let's not act like stranger things haven't happened.

Deadline is January 5, 2009. Send submissions to itisthemoneyshot.info(at)gmail.com.  Anything goes. Bring it.

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martes, febrero 26, 2008

common & just blaze: the light '08.

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While it may seem lame to blog about corporate MP3 offerings, Smirnoff's latest inclusion in the Smirnoff Signature Mix Series is quite divine. This week, producer Just Blaze (Jay-Z - "Show Me What You Got", Diddy - "Tell Me", Kanye West - "Touch the Sky") teams up with rapper Common and Marsha Ambrosius (formerly of Floetry) for a recreation of Common's 2000 single "The Light". The original version of this song is arguably Common's most commercially successful single, falling short of Top 40 status at #44 on Billboard's Hot 100 chart. Some regard it as one of hip-hop's classic love songs, an open letter for the whole world to read declaring Common's love for then-girlfriend Erykah Badu.

Eight years later with a new beat and vibe, "The Light" is just as charming. While the feelings for Erykah might not be there anymore, this song still makes me feel warm and fuzzy inside. Admittedly, part of that warm-fuzzy feeling may rise from the rather emotional piano line paired with the "shoutout to J. Dilla" from Common. Is it bad that I get a little teary every time someone mentions his name?

This is the second offering from Smirnoff's Signature Mix Series, preceded by DJ Premier and KRS-One teaming up to rethink Boogie Down Productions' "Criminal Minded". Next week promises a collaboration between Q-Tip and Cool & Dre, putting a spin on A Tribe Called Quest's "Midnight".

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viernes, julio 20, 2007

jay electronica: act one, eternal sunshine.

JAY ELECTRONICA came to me coincidentally while I was doing a bit of research for my last post about the GotdioN remix of Erykah Badu. Ms. Badu has this to say about him:

"Jay Electronica, the person...hmm, I wouldn't even call him a person, cause he's a weird lookin' cat. His ears are kind of pointy, he has a square head. He looks kind of like he's an alien from somewhere, really. But in a very beautiful way. Like uh, like some kind of mythical creature who would have a bow & arrow on his back, with wings under that bow & arrow."

Long story short, Jay Electronica is the first artist to be signed to Erykah Badu's record label Control FreaQ. In fact, the label was created solely after Badu first heard his music. She says so on "Act 1: eternal sunshine (the pledge)", which features an intro by her and producer Just Blaze. The song itself includes Jon Brion's compositions from the film Eternal Sunshine of the Spotless Mind overlapping with rhymes, interviews, and soundclips from films (including the original Willy Wonka and the Chocolate Factory). Apparently Act 1 is the first of three, the final of which will be his full-length debut album.

It would surprise some to learn that Jay is from New Orleans. I have yet to understand this element of surprise. There are plenty of intelligent, intriguing rappers in the south. They're just not getting airplay, but in hip-hop's current state even the intelligent, intriguing artists from the east and west coasts aren't getting much airplay. Sex, club jams, and novelty tracks sell these days like hotcakes. Do hotcakes actually sell fast? Instead, let's just say that they sell like Nintendo Wiis.

Jay shows a lot of promise in gaining the south respect that the holier-than-thou "real" hip-hop artists deny it. He's very concerned about his artistic integrity, having turned down a contract with Universal to work with Badu at Control FreaQ. He's innovative. He's weird. He's a lover of Willy Wonka. He's a beautiful alien. That's really all that matters.

d/l: JAY ELECTRONICA- Act One (snippet) (YSI)
d/l: JAY ELECTRONICA- Act One: Eternal Sunshine (the pledge) (YSI)
d/l: JAY ELECTRONICA- Bitches and Drugs (produced by J. Dilla) (YSI)
(amazing hip-hop)
- space it -

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jueves, julio 19, 2007

gotdion: erykah badu remix.

GOTDION wowed me on this one.

I've been in a real music drought now that I've started my job, and I know it's a blogger faux-pas to post about a single artist/producer after only a short period of time...but I honestly don't give a fuck. I've been pumping this jam everywhere I go-- from my desk to my car, and I am proud to say that it is significantly better than his "Lip Gloss" remix.

Erykah Badu's "Bag Lady"* may be one of my favorite songs of all time, and it certainly is my favorite R&B video of all time (link). The simple multi-colored costuming, choreography, and sheer attitude of this video collectively blow me away for some reason. There's this great sincerity in both the song and the video** that only Ms. Badu possesses. To put it simply, Erykah Badu is kind of crazy. And I love her for it. She's got Badu-tude, and I can only dream of gaining this quality.

While I generally have considered most of GotdioN's best work to be remixes that are better than the original, "Bag Lady" doesn't fall into that category. It's not better than the original, it's a complete reinvention of the original. The heavy drums and drawling synth add an element of urgency to Badu's message to "pack light", contrasting with the smooth laziness of the originals. It would seem that an electro remix of Erykah would strip the song of its integrity, but instead it adds a new element of truth-- a harsh truth. It may not be the way Badu intended to deliver her message, but it totally works...and rocks while doing so.

* Both the radio mix and the album version. They're incredible.

** Thanks to wikipedia, I learned that this is largely because the entire video was shot on Mini DV digital video.

d/l: ERYKAH BADU- Bag Lady (GotdioN remix) (YSI)
(electro reinvention of R&B goddess)
- space it / buy it - site it - space it - hype it - wik it -

WEBBYVANDERQUACKIN':
Speaking of remixes, there were some particularly good ones on the most recent Remix Sunday on Palms Out Sounds, particularly a great Valiant remix of The Roots.

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