medina: number man.
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It's not every day that the words "produced by Timbaland" pop up in my inbox, but that isn't the only selling point Medina has going for him. In fact, Timbaland's production is the least interesting thing about "Number Man".
I'll be honest. When most rappers pull the "my life was so hard" card, it can come off as entirely trite and "been there, heard that". Perhaps that is a problematic statement to make, but I fully acknowledge that their lives were legitimately hard. That doesn't mean they should be rapping about them. With that said, there's something really sincere about Medina's flow as he states, "Hate my mother for making me sleep in a shelter or dwell in the basement of an abandoned hotel. Why she do this shit? Locked in a mental ward, afraid she'd kill herself, they made her take out her shoelaces." Just try to ignore that those particular lines of the song don't rhyme at all. Ignore that this is (at best) a mediocre Timbaland beat. Ignore that the chorus leaves something to be desired. But please don't ignore that Medina kills it on this track when it comes to sheer flow.
Rumor has it that he's being chased by a few labels including Dr. Dre's Aftermath, and has already worked on tracks with Timbaland, Polow Da Don, Nappy Roots, Dr. Dre, Mark Batson, and (for serious press release?) Carlos Santana. On his space, you can here "The Yeah Yeah's", his latest rock-tinged single that will go over well with the Gym Class Heroes crowd without being as annoying as Gym Class Heroes. Did I mention that it will appear on the Sex and the City soundtrack? Because it will. I'm a little uncertain about this whole rock vibe he has going on, but I'll be rooting for Medina all the way to the top either way.
I'll be honest. When most rappers pull the "my life was so hard" card, it can come off as entirely trite and "been there, heard that". Perhaps that is a problematic statement to make, but I fully acknowledge that their lives were legitimately hard. That doesn't mean they should be rapping about them. With that said, there's something really sincere about Medina's flow as he states, "Hate my mother for making me sleep in a shelter or dwell in the basement of an abandoned hotel. Why she do this shit? Locked in a mental ward, afraid she'd kill herself, they made her take out her shoelaces." Just try to ignore that those particular lines of the song don't rhyme at all. Ignore that this is (at best) a mediocre Timbaland beat. Ignore that the chorus leaves something to be desired. But please don't ignore that Medina kills it on this track when it comes to sheer flow.
Rumor has it that he's being chased by a few labels including Dr. Dre's Aftermath, and has already worked on tracks with Timbaland, Polow Da Don, Nappy Roots, Dr. Dre, Mark Batson, and (for serious press release?) Carlos Santana. On his space, you can here "The Yeah Yeah's", his latest rock-tinged single that will go over well with the Gym Class Heroes crowd without being as annoying as Gym Class Heroes. Did I mention that it will appear on the Sex and the City soundtrack? Because it will. I'm a little uncertain about this whole rock vibe he has going on, but I'll be rooting for Medina all the way to the top either way.
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bonus track: MEDINA - Even Superman Dies (YSI)
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- space it -
bonus track: MEDINA - Even Superman Dies (YSI)
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- space it -
Etiquetas: alternative hip-hop, dr. dre, hip-hop, medina, six million dollar man, timbaland
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